Großhandelsöl Streichend Kein Minimum An
 
 


Philippe de Champaigne The Nativity oil painting reproduction


Philippe de Champaigne
Die Geburt
The Nativity
Gemälde IDENTIFIZIERUNG::  384
 der Musee von 1643 des Beaux Künste,Lille
1643 Musee des Beaux Arts, Lille

 
 
   
      


Robert Campin The Nativity oil painting reproduction


Robert Campin
Die Geburt
The Nativity
Gemälde IDENTIFIZIERUNG::  18906
 1425, Musee des Beaux-Künste an Dijon
1425, Mus??e des Beaux-Arts at Dijon

 
 
   
      


Barocci, Federico The Nativity oil painting reproduction


Barocci, Federico
Die Geburt
The Nativity
Gemälde IDENTIFIZIERUNG::  9787
 1597, Öl auf Leinwand, Museo del Prado, Madrid.
1597, oil on canvas, Museo del Prado, Madrid.

 
 
   
      


Arthur Devis The Nativity oil painting reproduction


Arthur Devis
Die Geburt
The Nativity
Gemälde IDENTIFIZIERUNG::  19100
 1857-58 Öl und Blattgold Leinwand BirminghamMuseen und Kunstgalerie.
1857-58 Oil and gold leaf canvas Birmingham Museums and Art Gallery.

 
 
   
      


Nardo, Mariotto diNM The Nativity oil painting reproduction


Nardo, Mariotto diNM
Die Geburt
The Nativity
Gemälde IDENTIFIZIERUNG::  19607
 Ungefähr. Der Tempera von 1385 auf Holz täfelt Vatikan Bild Galerie.
Approx. 1385 Tempera on wood panel Vatican Picture Gallery.

 
 
   
      


Federico Barocci The Nativity oil painting reproduction


Federico Barocci
Die Geburt
The Nativity
Gemälde IDENTIFIZIERUNG::  31307
 das Öl von nn07 1597 auf Leinwand 134 X 105 cm Museo del Prado Madrid
nn07 1597 Oil on canvas, 134 x 105 cm Museo del Prado, Madrid

 
 
   
      


Federico Barocci The Nativity oil painting reproduction


Federico Barocci
Die Geburt
The Nativity
Gemälde IDENTIFIZIERUNG::  28126
 das Öl von mk61 1597auf Leinwand 134x105cm
mk61 1597 Oil on canvas 134x105cm

 
 
   
      


ALBERTINELLI Mariotto The Nativity oil painting reproduction


ALBERTINELLI Mariotto
Die Geburt
The Nativity
Gemälde IDENTIFIZIERUNG::  29026
 mk65Öl auf Unterausschuss 9 1/16x19 11/16in Uffizi Galerie
mk65 Oil on panel 9 1/16x19 11/16in Uffizi,Gallery

 
 
   
      


Fra Filippo Lippi The Nativity oil painting reproduction


Fra Filippo Lippi
Die Geburt
The Nativity
Gemälde IDENTIFIZIERUNG::  32075
 mk78 Washington Nationale Galerie der Kunst
mk78 Washington, National Gallery of Art.

 
 
   
      


Fra Filippo Lippi The Nativity oil painting reproduction


Fra Filippo Lippi
Die Geburt
The Nativity
Gemälde IDENTIFIZIERUNG::  32076
 mk78 Washington Nationale Galerie der Kunst
mk78 Washington, National Gallery of Art.

 
 
   
      


Konrad of Soest The Nativity oil painting reproduction


Konrad of Soest
Die Geburt
The Nativity
Gemälde IDENTIFIZIERUNG::  33357
 die Gemischten Medien von mk86 1403 auf Holz 73x56cm Schlechtem Wildungen, St Nikolaus
mk86 1403 Mixed media on wood 73x56cm Bad Wildungen, St Nikolaus

 
 
   
      


Albrecht Durer The Nativity oil painting reproduction


Albrecht Durer
Die Geburt
The Nativity
Gemälde IDENTIFIZIERUNG::  33512
 mk86 c.1502-1504 Tempera auf Holz 155x126cm München, Bayerische Staatsgemalde-sammlungen, Alte Pinakothek
mk86 c.1502-1504 Tempera on wood 155x126cm Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek

 
 
   
      


BURGKMAIR, Hans The Nativity oil painting reproduction


BURGKMAIR, Hans
Die Geburt
The Nativity
Gemälde IDENTIFIZIERUNG::  33515
 das Öl von mk86 1520 auf Holz 105.5x70.4cm München, Bayerische Staatsgemalde-sammlungen, Alte Pinakothek
mk86 1520 Oil on wood 105.5x70.4cm Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek

 
 
   
      


Piero della Francesca The Nativity oil painting reproduction


Piero della Francesca
The Nativity
Gemälde IDENTIFIZIERUNG::  42861
 mk170 1475-1480 Oil on poplar 124.4x122.6cm

 
 
   
      


Lodovico Mazzolino The Nativity oil painting reproduction


Lodovico Mazzolino
The Nativity
Gemälde IDENTIFIZIERUNG::  43022
 mk170 circa 1510 Oil on wood 39.4x34.3cm

 
 
   
      


Juan de Flandes The Nativity oil painting reproduction


Juan de Flandes
The Nativity
Gemälde IDENTIFIZIERUNG::  43890
 c. 1508-19 Oil on panel,

 
 
   
      


Philippe de Champaigne The Nativity oil painting reproduction


Philippe de Champaigne
The Nativity
Gemälde IDENTIFIZIERUNG::  51726
 nn09 1643 OIl on canvas 207x116cm

 
 
   
      


CHRISTUS, Petrus The Nativity oil painting reproduction


CHRISTUS, Petrus
The Nativity
Gemälde IDENTIFIZIERUNG::  63975
 1445 Wood, 130 x 97 cm National Gallery of Art, Washington The painter, a follower of Jan van Eyck, here illustrates the Biblical theme in terms of contemporary life in his native city of Bruges. Joseph, for example, is shown as a Flemish peasant who, realizing he is on holy ground, has removed his wooden clogs. Under the influence of Rogier van der Weyden, Christus has framed the scene with a sculptured archway, typical of late Gothic churches in Flanders. These simulated sculpture groups, depicting the stories in Genesis of man and his sin, illustrate the historical reason for the subject of the painting, the coming of Christ as the Redeemer. , Artist: CHRISTUS, Petrus , The Nativity , 1451-1500 , Flemish , painting , religious

 
 
   
      


MARTORELL, Bernat (Bernardo) The Nativity oil painting reproduction


MARTORELL, Bernat (Bernardo)
The Nativity
Gemälde IDENTIFIZIERUNG::  64693
 1440s Panel Collection Lippmann, Berlin Borrass?was succeeded as central figure of the Barcelona school by Bernat Martorell, a painter in whom scrupulous attention to detail is combined with touches of poetry. In spite of the limitations of his empirical and conventional perspective, he was able to convey an impression of depth and space, and to give life to every element of his composition. Artist:MARTORELL, Bernat Title: The Nativity (detail), 1401-1450, Spanish , painting , religious

 
 
   
      


unknow artist The Nativity oil painting reproduction


unknow artist
The Nativity
Gemälde IDENTIFIZIERUNG::  65253
 1400 Tempera on walnut, 41 x 29,5 cm Galerie mittelalterlicher ?sterreichischer Kunst, Vienna The artist of this painting is referred to as Master of Salzburg. In this picture the scene of the Nativity is represented according to an apocryphal story of the Gospel: the Virgin is reclining on her bed while two midwives are on the point of giving a bath to the Infant. The woman in green is taking the Child from His mother, while the other is taking care that the bathwater is at right temperature. The bath puts an emphasis on the human aspect of the divine Child and is a hint to baptism. Joseph is seated on the right-hand side deep in thought. He holds his staff with his left hand, and is supporting his head with his right hand. The ox and the ass at the manger in the back seem to warm the straw and the small cambric kerchief with their breath. In addition to some stylistic resemblances the painting is reminiscent in other respects too of the Trebon Master's picture of the same scene. In both pictures the composition is divided by the building of the stable, with the difference that here the supports of the stable look like the frame of the scene represented, and divide the surface into two parts and not into three. In both pictures the supporting pole, emphatically placed in the foreground, separates Joseph, who views the events from the back and plays a role similar to the spectator's. In this picture too we can see birds on the roof of the stable, but they are shaped more firmly and realistically (as are the figures) than in the work of the Master of Trebon. In spite of the simplicity of the presentation and the somewhat rugged shaping of the figures with their rather large heads the susceptibility of the International Gothic style to elegance and decorative patterns evinces itself in this painting too. The elegance can be seen in the buoyant lines of the draperies, and in the Virgin's mantle, which clings to her body as if it were wet; the decorativeness in the way in which the painter has used the opportunities inherent in the rustic surroundings, and brought into harmony the pattern of the thatched roof, the mat and the fence, which are made of similar materials, and there is an additional harmonious touch in the plaited hair of one of the midwives. As in a great many other pictures of the period the ground is exceedingly steep here; compared to the figures in the foreground the stable seems to be high, on the other hand the beam underneath the roof touches the animals' heads. Although the white piece of cloth between the two midwives-in all probability a napkin, another symbol of the human nature of Jesus-looks as though it were hovering, in fact it lies on the ground. All this is not surprising, since these forms do not convey space, they are meant, first and foremost, to fill up the surface of the picture. Artist: UNKNOWN MASTER, Austrian , The Nativity , 1351-1400 , Austrian , painting , religious

 
 
   
      


Girolamo Romanino The Nativity oil painting reproduction


Girolamo Romanino
The Nativity
Gemälde IDENTIFIZIERUNG::  89707
 oil on panel Dimensions Height: 265 cm (104.3 in). Width: 117.2 cm (46.1 in). cjr

 
 
   
      


Giorgio Vasari The Nativity oil painting reproduction


Giorgio Vasari
The Nativity
Gemälde IDENTIFIZIERUNG::  92672
 Date c. 1546(1546) Medium oil on canvas ttd

 
 
   
      
Giorgio Vasari
1511-74
The Nativity
Date c. 1546(1546) Medium oil on canvas ttd

Related Paintings to Giorgio Vasari :.
| The Baths of Caracalla (mk24) | Gossip | Stockholm palace | Interior with Two Men by the Fireside f | The Annunciation to the Virgin |

        
 
   
 

KONTAKTIEREN Sie UNS
Xiamen Hat China Großhandelsöl, das Bahrenstab Großhandelsrahmen Anstreicht, den Spiegel Formt, Ausgestreckte Gemälde Eingerahmt